The Geolocated series explores the intersection of professional ambition, personal sacrifice, and human vulnerability. Rendered in a direct, first-person perspective—looking down at one’s own feet—these paintings embody both literal travel and metaphorical descent. Stylistically, the works use expressive brushstrokes and abstracted color fields to suggest memory, fatigue, and dislocation, rather than precise realism. The intent is to document a lived experience of relentless corporate travel and its lasting consequences, while also reclaiming those moments as opportunities for reflection, honesty, and healing through art.